Natural Materials (313)

Sustainable-Building Heritage: The Impact of Builders of the Pacific Coast on Modern Architecture

In an era when mass-produced housing and cookie-cutter developments dominate landscapes, Lloyd Kahn’s Builders of the Pacific Coast stands as a profound reminder of the rich architectural heritage that continues to influence sustainable building practices today. This documentation of coastal builders from San Francisco to Vancouver Island isn’t just a historical record—it also serves as a blueprint for contemporary cultural preservation and sustainable living.

Cultural Heritage

The book’s relevance to today’s cultural-heritage conversation is shown in several ways. For example, it captures the intimate connection between Indigenous building practices and environmental stewardship. The detailed accounts of First Nations architecture, particularly the Kwakiutl (Kwakwaka’wakw) people’s sophisticated use of cedar and their sustainable building techniques, provide valuable lessons for modern architects grappling with climate change and environmental degradation. These traditional methods demonstrate how cultural heritage and ecological responsibility can seamlessly intertwine.

Picture of building of painted bear motif with ears

The significance of the book lies in its documentation of a countercultural building movement that has become increasingly relevant in the current housing crisis. The builders featured in Lloyd’s work championed small, efficient living spaces long before the tiny-house movement gained mainstream attention. Their innovative approaches to using local and recycled materials, minimizing environmental impact, and creating harmony between structure and landscape mirror the principles that today’s sustainable-architecture movement embraces.

Past Inspiration

One can see the book’s influence on contemporary builders through a fascinating chain of inspiration. As Lloyd discovered during his journey, many of the builders he encountered were inspired by his earlier work Shelter (1973), creating a direct lineage of architectural knowledge that continues to influence eco-conscious builders today. This demonstrates how documented cultural heritage can actively shape future building practices.

pictures of book covers of Shelter and Builders of the Pacific Coast by Lloyd Kahn

The emphasis on craftsmanship and personal connection to building materials speaks to the current moment, where there exists growing resistance to disposable consumer culture. The builders’ dedication to understanding their materials—whether through one designer’s artistic approach to woodworking or another’s organic building methods—offers an alternative to the increasingly automated and standardized construction industry.

Community

Furthermore, the book’s documentation of community-based building practices resonates with contemporary movements toward collective housing solutions and cooperative living arrangements. The stories of builders helping one another, sharing knowledge, and creating spaces that foster community interaction provide valuable models for addressing today’s housing challenges.

Picture of structure built out of sustainable material

In an age when digital technology often disconnects people from physical craft, Builders of the Pacific Coast reminds readers of the profound satisfaction and cultural significance of creating with one’s hands. The book’s relevance extends beyond architecture to touch on broader themes of cultural preservation, environmental responsibility, and community building—all critical issues in the current global dialogue about sustainable future development.

As society faces unprecedented challenges in housing, climate change, and cultural preservation, the wisdom captured in Lloyd’s work becomes increasingly valuable. These builders’ stories remind us that cultural heritage isn’t just about preserving the past—it’s about learning from it to create a more sustainable and connected future.

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Wonderful Houses Around the World—and in the Classroom

School is back in session, and Shelter Publications has a book that’s popular among elementary teachers and school librarians. Showcasing diverse housing styles around the globe and offering a glimpse into different cultures, Wonderful Houses Around the World, by Yoshio Komatsu with drawings by Akira Nishiyama, was first released in 1997 in Japan. Katy Bridges and Naoko Amemiya translated it into English for its US release by Shelter Publications in 2004. 

The book features clear illustrations of the insides of different homes, where family members are performing everyday tasks. Each illustration includes captions that tell where the house is found, how the surroundings influence its design, what life is like for the family, and how the homes are furnished. This offers a fascinating look at various cultures and promotes understanding and appreciation for lifestyles around the world.

Inside pages of Wonderful Houses Around the World - showing outside and inside house side by side in Romania.

Why This Book is Valuable in Education

Wonderful Houses Around the World is beneficial to the classroom, as it promotes cultural understanding and global awareness, introduces basic architectural concepts, displays side-by-side comparisons of building exteriors and interiors, and encourages critical thinking about living spaces and cultural adaptations. Learning about different cultures is helpful to understanding other people; it increases empathy and curiosity, and it enhances an appreciation for diversity in living conditions.

The book aligns with several educational standards: as social studies curriculum by understanding diverse cultures and societies, in STEM education by introducing engineering and design concepts, and in art education by showing different architectural styles. The photographs and drawings are great for comparing a variety of art forms as well.

Examples of Classroom Use

Inside pages of Wonderful Houses Around the World - showing outside and inside house side by side in Africa.

The book can be integrated into the classroom with a geography lesson, mapping the locations of featured houses. An art project could include the creation of models or drawings of unique houses; a writing exercise could imagine life in different types of homes. Projects and activities could include virtual “world tour” presentations by students, a comparative analysis of housing in different climates, or a design challenge to dream up houses for specific environments.

Testimonial

“Clear, color photo spreads and explanatory paragraphs introduce 10 ‘wonderful houses’ from a variety of cultural backgrounds. A circular tulou in China, a felt yurt in Mongolia, an underground home in Tunisia, and an earthen ‘castle’ in Togo are among the featured domiciles. Each picture has a full-spread color diagram of a structural cutaway with captions that describe architectural details and/or furnishings and indicate the makeup of the family/families in residence. The author’s personal comments enliven the terse text, and his three-sentence introduction mentions his enthusiasm for ‘interesting’ domestic design.”

—Patricia Manning

School Library Journal

Inside pages of Wonderful Houses Around the World - showing outside and inside houses side by side in China.

Integrating Wonderful Houses Around the World into classroom activities gives kids a lot more than just a peek inside homes. Students learn lessons in social studies, STEM, art, and character building. Teachers will enjoy putting together projects and activities based around this book. True to Shelter Publications’ tagline, “Shelter is more than a roof overhead,” this book—with its thoughtfully created text, photos, and illustrations—offers a rich experience that goes beyond traditional learning.

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Discover the Path Forward: 2024 Crestone Energy Fair

The Crestone Energy Fair, celebrating its 35th year, is one of the longest-running sustainability fairs in the nation. The focus of the gathering is on “sharing innovative, sustainable, and regenerative ideas in construction, lifestyle, and community.” This free event, which will take place September 14th and 15th, features presentations, demonstrations, home tours, and vendors showcasing alternative building methods and materials, such as straw bales, Earthships, cordwood, and Hempcrete. Attendees will also learn about different electricity sources. In addition, the fair contains a Wellness Village and an Artisan Marketplace that will host music and yoga. 

Crestone Energy Fair's poster

Rooting Forward

This year’s theme is “Rooting Forward,” which is about “prioritizing our commitment to finding common ground, reaching across the aisle, and growing strong roots in order to move forward as a grounded, unified collective.”

Shelter Publications founder Lloyd Kahn will be one of the headline speakers at the fair. His presentation will cover what he’s learned over the years, including his experience editing the Whole Earth Catalog shelter section, interviewing and documenting builders, and the effect of the 1960s countercultural revolution on his life and work. 

Crestone Energy Fair's post of Lloyd at fair

Crestone Town

In a recent interview with Lloyd, he talked about Crestone as a town. 

“Crestone is a pretty cool town in Colorado where a lot of young people have gone. And that was the case in Bolinas in the 1970s. And there are these unique small towns in different states like Patagonia in Arizona or, you know, just a town that’s got something special and, often, the artists will be the first ones to discover it, and then more and more people do.”

Here is the official schedule of events with information on Lloyd’s talk on the Main Stage, scheduled for Saturday at 4:15 p.m. Crestone has a fantastic YouTube page with live broadcasts during the fair, as well as archives of past events. It’s worth checking out.

Visit crestoneenergyfair.org for all the details.

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Reader Mail

We always love getting reader mail, and this beauty of a DIY home build was recently shared with Shelter Publications founder Lloyd Kahn: “…I still have my original Whole Earth Catalogs and recently replaced my Shelter book that I loaned out 40 years ago. You have been a great inspiration Lloyd…Many thanks. I am fully retired and ready to finally build my forever home! Greetings from Ontario, Canada! – Ursula Z.”

image of a small shed built with wood

We wish you the best of luck on your future build, and thank you for being a long-time reader of Shelter books!

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Breathing New Life into Old Wood: Former Duck-Hunting Cabins Find a Home

In 2017, the Millers snagged a 10-acre gem on Buchanan Lake in Minnesota, complete with a trio of old-school duck-hunting cabins that had seen better days. Legend has it, even an NFL big shot used to hunt here. Right before sealing the deal, the previous owners were close to tearing the cabins down. But the Millers saw some rustic gold in that wood and decided to dismantle the structures instead, aiming to breathe new life into the aged siding.

Two old wood cabins

Each cabin told its own story. One was the crash pad, still packed with a dozen mattresses—a mash-up of bunk and twin beds in one room, plus a couple of full-size beds in the next. The roof had given up on doing its job here, and most of the windows were a testament to better times gone by. Another cabin was all about the grub; its kitchen setup was surprisingly intact with a fridge, stove, and sink. And then there was the storage shack, standing firm on a concrete foundation, while its siblings squatted on wooden floors that were quickly deteriorating—think rotted planks! 

One long old wood cabin, half rotting

But here’s where it gets good. The Millers managed to rescue about 60% of that wood, trimming off the rough edges (literally) to weave it into their new digs inside a steel shed—you know, the steel shed that people use for a house—a “shouse.” They power-washed each plank to its former glory, skipped the sanding to keep that rugged charm, and sealed each with a layer of clear varnish. They went all in on a cozy, lived-in vibe.

two walls with repurposed wood, one rustic tongue and groove and the other painted shiplap

Installing the siding was a bit like putting together a giant puzzle—using the tongue and groove style on stud walls, pinned down with finishing nails. Some of the boards were stripped in half for the trim to keep up the rustic look. The roofing boards got a new lease on life too. They were cleaned up, painted, and lined up for a shiplap statement wall. All in all, it took about a week of prep and DIY magic to get everything up and looking sharp.

picture of Meg Simonds house from the book, Small Homes

While many of our books feature recycled materials, Meg Simonds, featured in Small Homes, explains it best: “Building with recycled wood is a slow and arduous affair, from finding it to pulling the last nail. It is a lot of work and rarely is it delivered. The payoff is twofold. The quality of older wood generally surpasses that of new, and its deep, rich beauty only comes with age. For us, more importantly, [we love] getting to have a truly deep relationship with the wood. All this wood once had a home, an ancient forest, the lungs of the Earth; little of this remains. The best we can do now is to have a deep respect for what was and what is. We approached building our home with this in mind.” (pg. 126-127)

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Greg Clark's Handmade House

Hi Lloyd,

I’ve been fascinated by handmade houses for years. I came across a book in the ’70s called The Wood Butcher’s Art. I now teach in a traditional school in India, and teach my students about such houses. With their help I made a house here in West Bengal from mostly local timber and I thought you might be interested. We have several of your books which are very inspiring. The boys made several models based on a reading of some of your books. If you are interested I can send more photos. The house was inspired by my travels in Cambodia, Thailand, and Assam.

I teach in a traditional school in West Bengal, India. We have international students and I wanted to show them that you can build a great house out of local renewable materials. The trees for the frame and most of the floors was all local. Many students came and helped me build the house. It took about two years. I wanted to use shingles for the roof, but we can’t get cedar here. So I had to invest quite a bit to make teak shingles, which were used historically in tropical places like Hawaii or Mauritius. The walls are made from ‘Slipstraw’ but we used the abundant eucalyptus sawdust that we generated instead of straw. We finished the walls with a lime sand plaster. It came out so well we had no need to paint. The wood was finished with a mix of local beeswax and pine turpentine.

The Bhaktivedanta Academy Gurukula, a traditional Vedic school with international students in West Bengal, India is helping to construct a series of houses for teachers. The boys of the academy spend a couple of hours each day learning basic construction methods based on age-old building traditions and using mostly local materials. The school’s oxen and horse also assist in the process. The boys are from all over the world: Russia, Ukraine, China, Taiwan, New Zealand, Australia, different parts of India, Ecuador, Argentina, Peru, Chile, Hungary, Bulgaria, etc. Before starting to build the boys spent several lessons studying your books, Builders of the Pacific Coast, Shelter 1-2, etc.

–Greg Clark

Sasha making pegs

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Driftwood Shacks Book Version 2.0 Just Released

We just received our new version of Driftwood Shacks: Anonymous Architecture Along the California Coast. It has twice as many pages/pictures and was printed by our printers in Hong Kong who print all of our building books. It is now available for order at www.shelterpub.com/building/driftwood.

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Jay Nelson’s Latest Treehouse



Jay Nelson’s latest treehouse, now under construction in a redwood grove in Northern California. It’s about 10 by 11 feet in floor area. The round window pivots open on center pins. There are two climbing ropes attached high up so Jay and Max can work on the curved roof. Almost all the wood (except for floor framing and plywood sheathing) is used.

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Tiny House Built to Escape Wildfires

In 2017, wildfires swept through Ojai, California causing a tremendous amount of destruction. Ryan watched as the eerie glow on the horizon turned into a wall of flames racing towards his parked tiny house. It was about 4am when he hitched up his home to his truck and managed to move it to safety moments before the property was engulfed in flames. Thankfully, his tiny home was safe but the property it was parked on was completely torched, the property owners tragically loosing their home.

It was that event which prompted him to build a second tiny house. Firstly, he wanted to build cheaper, so he didn’t have quite as much capital invested in his home on wheels and secondly so that it could be smaller, easier to find a parking space for and even more simple to move should the fires ever sweep through the area again…

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Scott Holmen's 14′ × 14′ Post-and-Beam Cabin

…I have worked as a forester since the mid-1970s and have lived in places that had specialized structures with limited functions, a cookhouse for cooking and eating, a bathhouse for showers and clothes washing, and a smaller structure (cabin or tent frame) to sleep in. Not much of a stretch to think I could do that again. I always wanted a large outside space which would stay dry. So I ended up with a 16´ × 16´ covered deck in front of the cabin. This had an added advantage because it gave me a large, dry, flat building area. Since it does rain a bit around here, that was a huge plus.

The cabin’s concept was to build modular log walls, and then assemble them in a post-and-beam framework. The log walls use ¾˝ thick, 3˝ wide plywood splines to attach them to the posts. The modules are built on a jig, and are then either stored somewhere until it is time to build or are then rebuilt on the foundation.

I’m just a retro-grouch at heart. Old school, wood and steel, no electricity, and a bit of skill beats power tools any day. I like my electric hand planers for smoothing wall timbers, love my chainsaw for cutting the big stuff — but for a simple bevel on a board (or 70 boards), I like the sound of a quiet hand plane that is older than my grandkids, older than my kids, older than me, maybe older than my father, and just like the ones my grand­father used to use.
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